Comparison Of The “Death By Landscape” And “The Yellow

Comparison of the â€Å"Death by Landscape† and â€Å"The Yellow Wallpaper† Terror, a feeling shared by all beings with emotions, With such an influence in the well-being of a human being, terror is something that creates interest and research while repelling and frightening an individual. The gothic literature is an evoked presence of terror by humans to create a sense of confusion with a reader leaving them with no explanation of the unrealistic events and removing the ability of control and comprehension. Margaret Atwood and Charlotte Perkins Gilman master the unexplained supernatural and unrealistic events in their own stories, â€Å"Death by Landscape† and â€Å"The Yellow Wallpaper†. The first follows the abrupt and unexplained loss of the main†¦show more content†¦This is due to the state that Lois is in throughout the story. Lucy is not alive in a body, but in the obsession of Lois’s mind. Society deals with death in many ways, whether it is in ritual or locking it behind a wall in the mind. Lois locks Lucy in the depths of her perception and mind as shown by the paintings she has collected, â€Å"every one of them is a picture of Lucy. You can’t see her exactly. But she’s there, in behind the pink stone island or the one behind that.† (Atwood 129). Due to the disturbance that Lois is dealing with it’s explainable that this is Lois’s way of coping with Lucy’s death. However this end doesn’t solve the question the reader frequently asks. Where, why and how did Lucy die? The questions which cannot be answered neither by the reader or Lois. Leaving out the answer creates the dreadful terror that humans pursue, the answer of death and it’s unexplainable control of events. The temporary feeling and atmosphere of terror that is throughout the story exemplifies the unexplained supernatural by showing Lois as a victim of an event she has no comprehension or power over. She is affected to a point where â€Å"she would never go up north†¦ to any place with wild lake and wild trees and the calls of loons. (Atwood 129). In the rugged landscape of the wilderness, it is equal to death where in that the wild is very similar to the uncontrollable nature of death. Lucy’s presence is emphasized by her absence as she continuesShow MoreRelatedThe Character Of Conrad And Cormac Conrads Heart Of Darkness1640 Words   |  7 Pagesconditions without explicit statements, authors cannot elucidate each event and character’s thought while continuing to hold the reader’s attention. Therefore, many authors utilize the landscape of the story to parallel a character or group of characters. In Heart of Darkness, author Joseph Conrad personifies the la ndscape as a fluid character. Consequently, as the reader begins to further comprehend the landscape’s meaning, Marlow’s understanding of the people around him becomes more clear. LikewiseRead MoreSeated Bodhisattva Avalokitesvara ( Guanyin )982 Words   |  4 Pagesstatue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavishRead MoreCircus Posters of P.T. Barnum and The Ringling Brothers1154 Words   |  5 Pages1881 Barnum, James Bailey, and James Hutchinson partnered up to create P.T. Barnum’s Greatest Show on Earth The Great London Circus, which later became Barnum Bailey’s Greatest Show on Earth in 1888 (P.T. Barnum). Sixteen years after Barnum’s death in 1891, the Ringling brothers bought out their competition, but the two shows continued to tour independently until they were finally combined in 1919 as Ringling Bros. and Barnum Bailey, The Greatest Show on Earth (Bailey and the Ringlings). Read MoreThe Heart Of The Andes By Robert Seldon Duncanson1582 Words   |  7 Pagesnaturalistic landscape entices the viewer’s senses and lends itself to being part of the â€Å"beautiful† which is _____. This painting is a rendition of an earlier work done by Frederic Church in 1859. The formal qualities present in Heart of the Andes appear to fabricate an amicable symbiotic relationship between man and nature with motifs of God acting to legitimize human fallibility. The formal qualities that Duncanson used to fashion this piece illustrates a deceptively peaceful landscape scene. TheRead Moreâ€Å"Starry Night† Is One Of The Most Popular Canvasesin Modern-Day1385 Words   |  6 Pagessilence of the village which is supposed to be Van Gogh’s hometown Netherland. The painting also consists of a cypress tree which is typically found in graveyards . This might have something to do with the artist’s perception of the inevitability of death and how close it is on Earth. Starry Night is just one example of Vincent Van Gogh’s numerous painting which show night life, from which it can be presumed that the artist loved night time. Vincent van Gogh s art is generally observed by criticizersRead MoreRhetorical Analysis Essay848 Words   |  4 Pagesused a metaphor comparing his grandmother to the Rainy Mountain. For example, he writes that â€Å"[a]lthough my grandmother lived out her long life in the shadow of Rainy Mountain, the immense landscape of the continental interior lay like memory in her blood (Momaday 131). This metaphor compares the immense landscape of the Rainy Mountain’s continental interior to his grandmother’s memory instilled in her bloodstream. By using metaphors, Momaday reminds young individuals of their traditional life by comparingRead More Comparing Symbols and Symbolism in Blue Hotel, Black Cat, Night, Alfred Prufrock, Red Wheelbarrow1620 Words   |  7 Pagesspecifically dream psychology, red may symbolize sexuality, passion, anger, revolution or danger. Red being the color of blood, it is the symbol of life, which consequently is why Hindu and Chinese brides wear red. But, blood may also represent injury or death. (Ackroyd 253)    Blue is the color of intellect, peace and contemplation. It represents water and serenity, and symbolizes the sky and infinity. To the Christian, blue is the color of the Virgin as Queen of Heaven, and denotes faith, compassionRead MoreAnalysis Of The Poem The Waste Land Essay1714 Words   |  7 Pagescontrast is not simplistic, as Fitzgerald guides the reader into understanding that the areas are inextricably linked in terms of the American dream and moral corruption. Furthermore, the Valley of Ashes is a physical manifestation of the theme of death and mortality constantly being threaded throughout the novel. The symbolic importance the language of the valley holds and the events that transpire there provide insight into Fitzgerald’s intentions for the novel’s theme and moral critique of societyRead MoreThe Landscape In Heart Of Darkness And Cormac Mccarthys The Road2029 Words   |  9 Pagesevent and character’s thought while continuing to hold the readerà ¢â‚¬â„¢s attention. Therefore, many authors utilize the landscape of the story to parallel a character or group of characters. Both Joseph Conrad, author of Heart of Darkness, and Cormac McCarthy, author of The Road, manipulate the landscape to represent the human condition. In Heart of Darkness, Conrad personifies the landscape as a fluid character, so as the reader begins to further comprehend the landscape’s meaning, Marlow’s understandingRead MoreComparing The Girl With A Pearl Earring And Mona Lisa1332 Words   |  6 PagesName Professor Course Date Comparison of the Girl with a Pearl Earring and Mona Lisa   The Girl with a Pearl Earring and Mona Lisa are the two most famous portraits ever painted  (Courtauld 36). The girl with a pearl earring follows the Mona Lisa painting, which is considered as the most famous painting. The girl with a pearl earring, by Johannes Vermeer, and the Mona Lisa by Leonardo da Vinci were created during the same historical time. Historians believe that Leonardo da Vinci created his art

Lord Atkin s Neighbor Principle - 1442 Words

As illustrated through Lord Atkin’s â€Å"Neighbour Principle†, established in the case of Donoghue v Stevenson , tort of negligence provides a remedy for those who suffer loss due to the behaviour of a person who fails to adhere to a legal duty to take reasonable care. On these grounds, it appears that Geoff and Beth may be held to have joint several liability in negligently causing Paul physical damage. Paul could bring a tortuous action against Geoff on the grounds of negligent driving, in relation to his head and collarbone injuries. As elucidated by Greer LJ in Haynes v Harwood , to have a cause of action in negligence, there must be the neglect of â€Å"some duty owed to the† claimant. Accordingly, Geoff’s legal duty of care is established through s.3 Road Traffic Act 1988, which, in imposing strict liability in cases of negligent driving, creates a duty of care. It provides that a driver is deemed to have committed a tortuous act by driving carelessly â€Å"without due care and attention† , therefore as Geoff is driving a mechanically propelled vehicle, he has a statutory duty of care towards other road users. There then arises the question as to whether Geoff’s behaviour has fallen below the â€Å"reasonable standard of care†. This is based on the premise that liability arises where the defendant causes loss or damage to another â€Å"by fault†. Paul could thus attest the first two hurdles in bringing a negligence action against Geoff, as Geoff has clearly breached his statutory duty ofShow MoreRelatedCase Study of Negligence1406 Words   |  6 Pagesthe Bright Smiles Dental Surgery) owned duty of care to plaintiff (Tony)? 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The Stupidest Angel Chapter 21 Free Essays

Chapter 21 AVENGING ANGEL Oh shit, oh shit, oh shit, oh shit, Theo thought. He twisted his ankle when he hit the ground; pain shot up his leg like liquid fire. He fell and rolled onto his back in the mud. We will write a custom essay sample on The Stupidest Angel Chapter 21 or any similar topic only for you Order Now He’d pushed the remote button that unlocked the Range Rover too soon the vehicle had chirped and the lights had blinked, alerting the undead. He’d made the jump blind, and missed. They were coming for him. He pushed himself up and started hopping toward the Range Rover the car key ready in his right hand, his flashlight lost behind him in the mud. Grab him, you rotting fucks,† screamed Dale Pearson. Theo fell forward as his good foot slipped out from under him, but he rolled back to his feet, a bolt of pain shooting white-hot across his shin. He caught himself on the back window of the black Range Rover, snatching at the rear wiper for balance. He risked a glance back toward his pursuers and heard a loud thump by his head followed by a deafening screech. He turned just in time to see a skeletal woman sliding across the roof of the Range Rover, leading with her teeth. He ducked, but not before he felt fingernails raking his neck, teeth thumping into his scalp. She rode him to the ground and he could feel a grating pain in his head as the zombie tried to bite through his skull. His face was pushed into the mud. His nostrils and mouth filled with water, and amid a flashing whiteness of terror he thought, I’m so sorry, Molly. â€Å"Yuck! That’s hideous!† said Bess Leander, spitting a couple of teeth on the back of Theo’s head. Marty in the Morning grabbed Theo by the head and licked the teeth marks that Bess had left. â€Å"That’s horrible. He’s stoned. I’m not eating stoned brains.† The undead moaned in disappointment. â€Å"Get him up,† said Dale. Theo inhaled a great spray of mud along with his first breath and he went into a coughing fit as the undead lifted him up and held him against the back window of the Range Rover. Someone wiped the mud out of his eyes, and a stench that made him gag filled his nostrils. He could see the dead but animated face of Dale Pearson only inches from his own. The corpse’s foul breath overwhelmed him. Theo tried to twist away from the evil Santa, but decaying hands held his head fast. â€Å"Hey, hippie,† said Dale. He held Theo’s flashlight down by his Santa beard to illuminate his face from below. There were two stripes of bloody drool running down either side of the beard. â€Å"You’re not thinking that your pot-smoking ways are going to save you, are you? Don’t.† He pulled a snub-nose revolver out of the pocket of his red coat and shoved it under Theo’s chin. â€Å"We’ll have plenty to eat. We can afford to waste you.† Dale ripped open the Velcro fasteners of Theo’s jacket and started feeling around his waist. â€Å"No gun? You suck as a lawman, hippie.† He went to the pockets of Theo’s cop shirt. â€Å"But this! The one thing you can be depended on for.† Dale held up Theo’s lighter, then reached in, tore the whole pocket off the cop shirt, and wrapped the dry fabric around the lighter. â€Å"Marty, try this. Keep it dry.† Dale gave the lighter to a rotting guy with a wet Ziggy Stardust red mullet, who slogged back to the pile of debris at the side of the chapel. Theo watched as Marty in the Morning bent over the pile of plywood, pine branches, two-by-fours, cardboard, and the torn-up body of Ben Miller. The wind was still whipping, the rain less intense now, but even so the drops stung Theo’s face when they hit. Don’t light, don’t light, don’t light, Theo chanted in his head, but then his hope drained away when he saw the orange flame catch on the debris, and Marty in the Morning pull away with his sleeve on fire. Dale Pearson stepped aside so Theo could see the fire whipping up the side of the building, then put the .38 against Theo’s temple. â€Å"Take a good look at our little barbecue fire, hippie. It’s the last thing you’re going to see. We’re gonna eat your crazy wife’s brains char-broiled.† Theo smiled, happy that Molly wasn’t inside, wouldn’t be part of the massacre. â€Å"I didn’t hear ‘Shave and a Haircut, † said Ignacio Nunez. â€Å"Did you hear ‘Shave and a Haircut’?† Tuck panned his flashlight across a dozen frightened faces, then one whole side of the chapel went orange with the light from the fire outside the windows. One woman screamed, others stared in horror as smoke started to snake in around the window frames. â€Å"Change of plan,† Tuck said. â€Å"We go now. Guys in front of your groups. Give the car keys to the next person back.† â€Å"They’ll be waiting for us,† said Val Riordan. â€Å"Fine, you burn up,† Tuck said. â€Å"Guys, knock over whatever gets in your way, everyone behind just keep going for the cars.† All the barricades and braces had been removed from the chapel doors. Tuck put his shoulder against one door, Gabe Fenton was on the other. â€Å"Ready. One, two, three!† They threw their shoulders against the doors and bounced back into the others. The doors had only opened a couple of inches. Someone shone a flashlight through the gap to reveal a huge pine-tree trunk braced against one of the doors. â€Å"New plan,† shouted Tuck. Theo tried to look at the fire, but he couldn’t see beyond the undead eyes of Dale Pearson. Thought had fled. There was just fear and anger and the pressure of the gun barrel against his temple. He heard a whooshing sound and a thump by his ear and the gun barrel was gone. Dale Pearson was stepping away from him, holding a dark stump where his gun hand had just been. Dale opened his mouth to shout something, but in that second a thin line appeared across his face at nostril level and half of his head slid to the ground. He slumped in a pile at Theo’s feet. The hands that were holding Theo let go. â€Å"Brains!† screamed one of the undead. â€Å"Crazy-woman brains!† Theo fell on top of Dale’s rekilled body, then spun around to see what was happening. â€Å"Hi, honey,† Molly said. She stood on the roof of the Range Rover, grinning, wearing a leather jacket, sweatpants, and her red Converse All Stars, holding the ancient Japanese sword in Hasso No Kamae before her, the blade gleaming orange in the light from the burning church. There was a dark swath across the blade where it had hewn the head of the zombie Santa. Theo had never been a religious man, but he thought in that instant that this must be what it was like to look on the face of an avenging angel. The zombies who had been holding Theo reached for Molly’s legs, and in a single motion she stepped back and brought the sword around in a low arc that sent a rain of severed hands flying into the mud. The undead wailed around her, and tried to claw their way onto the SUV with their stumps. Bess Leander tried to replicate the move she had used on Theo, stepping up the hood behind Molly and diving across the roof of the Range Rover. Molly spun and sidestepped, making a low swing with her sword that would have not looked out of place on a golf course. Bess’s head rolled off the top of the Land Rover into Theo’s lap. He pushed it aside and got to his feet. â€Å"Honey, you might want to go let everyone out of the chapel before they burn up,† said Molly. â€Å"I’m not sure you want to watch this.† † ‘Kay,† said Theo. The undead had left their stations at the front and back doors of the chapel, where they had been waiting to ambush the escaping partyers, and charged Molly. Three fell headless while Molly stood on the Land Rover, but as they surrounded her, she ran and leaped over the heads of the mob, landing behind them. Theo ran for the front doors of the chapel, his vision blurred from the rain and the blood running into his eyes from the bite wound on his head. He looked back for a second and saw Molly sailing over the top of her attackers. He nearly ran into two great pine logs that had been braced against the chapel doors. He looked back a second and caught a glimpse of Molly mowing down two more zombies, one split down the middle from the crown of his head to his sternum, then he turned and tried to get his back under one of the logs. â€Å"Theo, is that you?† Gabe Fenton had his face pressed in an inch-wide gap between the doors. â€Å"Yeah. There are logs against the doors,† Theo said. â€Å"I’m going to try to move them.† Theo took three deep breaths and lifted for all he was worth, feeling as if veins would explode in his temples. The wound on his head throbbed with every heartbeat. But the tree trunk moved a couple of inches. He could do this. â€Å"Is it working?† yelled Gabe. â€Å"Yeah, yeah,† said Theo. â€Å"Give me a second.† â€Å"It’s filling up with smoke in here, Theo.† â€Å"Right.† Theo strained again and the log moved another two inches to the right. Another foot and they’d be able to get the door open. â€Å"Hurry, Theo,† said Jenny Masterson. â€Å"It’s – † She went into a coughing fit and couldn’t finish what she was saying. Theo could hear everyone coughing inside. Wails of rage and pain were coming from the side of the chapel where Molly was fighting. She must be okay, they were still yelling about eating her brain. Another lift, another two inches. Gray smoke was streaming out the crack between the doors. Theo fell to his knees with the effort and almost passed out. He shook himself back into consciousness, and as he prepared to put his back into another effort, hoping it wouldn’t be his last, he noticed that the screaming had stopped at the side of the chapel. Rain, wind, the coughing of the trapped, and the crackle of the fire. That was all he heard. â€Å"Oh my God. Molly!† he screamed. A hand on his cheek, a voice at his ear. â€Å"Hey, sailor, need a little hand getting your church door open, if you know what I mean?† Sirens sounded in the distance. Someone had seen the burning chapel through the storm and had somehow gotten through to the volunteer fire department. The Lonesome Christmas survivors were gathered in the middle of the parking lot, illuminated by headlights. The heat from the fire had driven them nearly seventy-five yards to the street. Even this far away, Theo could feel the heat on his cheek from the fire as Lena Marquez bandaged his head. Others sat in the open hatchbacks of SUVs, trying to catch their breath after being exposed to the smoke, drinking bottled water or just lying there dazed. Around the burning chapel the wet pine forest steamed, a great white cloud rising into the sky. Down the left side of the chapel: carnage – a rekilling ground of the undead, where Molly had hacked them into submission, even chasing down the last few in the woods and decapitating them after she and Theo had let the partyers out of the chapel. Molly sat beside Theo, under the open hatchback of someone’s Expedition. â€Å"How did you know?† he asked. â€Å"How could you possibly have known?† â€Å"The bat told me,† Molly said. â€Å"You mean he showed up and you said, ‘What’s wrong, boy, is Timmy trapped down a well? and he barked to tell you that’s what was wrong? Like that?† â€Å"No,† Molly said. â€Å"It was like, ‘Your husband and a bunch of other people have barricaded themselves in the chapel against a horde of brain-eating zombies and you need to go save them. Like that. He has some kind of accent. Sounds Spanish.† â€Å"I for one am glad that you went off your meds,† said Tucker Case, who was standing next to Lena as she bandaged Theo’s head. â€Å"A few hallucinations are a small price to pay, if you ask me.† Molly held up her hand for him to be quiet. She stood and brushed the pilot aside, looking back toward the burning church. A tall dark figure in a long coat was coming toward them through the killing field. â€Å"Oh no,† said Theo. â€Å"Everyone get in the cars and lock them.† â€Å"No,† Molly said, dismissing Theo’s instructions with a distracted backward wave. â€Å"We’re okay.† She met the angel in the middle of the parking lot. â€Å"Merry Christmas,† said the angel. â€Å"Yeah, you, too,† said Molly. â€Å"Have you seen the child? Joshua?† asked Raziel. â€Å"There’s a kid over there with the others,† said Molly. â€Å"That’s probably him.† â€Å"Take me to him.† â€Å"That’s him,† Theo said. â€Å"That’s the robot guy.† â€Å"Shhhhhh,† Molly shushed. Raziel walked to where Emily Barker was holding her son, Joshua, sitting on the back of Molly’s Honda. â€Å"Mom,† wailed Joshua. He hid his face in his mother’s chest. But Emily was still stunned by witnessing her mate’s death, and she didn’t react at all except to hold the boy tighter. Raziel put his hand on the boy’s head. â€Å"Fear not,† he said. â€Å"For I bring you tidings of great joy. Behold, your Christmas wish has been granted.† The angel waved toward the fire and the carnage and the exhausted and terrified survivors as if he were a game-show hostess presenting a washer/dryer set. â€Å"Not what I would have wished for,† the angel said, â€Å"but I am but a lowly messenger.† Josh rolled in his mother’s arms and faced the angel. â€Å"I didn’t ask for this. This isn’t what I wished for.† â€Å"Sure it is,† said Raziel. â€Å"You wished that the Santa you saw killed be brought back to life.† â€Å"No, I didn’t.† â€Å"That’s what you said. You said you wanted him brought back to life.† â€Å"That’s not what I meant,† said Joshua. â€Å"I’m a kid. I don’t always get stuff right.† â€Å"I’ll vouch for that,† said Tucker Case, stepping up behind the angel. â€Å"He is a kid, and he is wrong most of the time.† â€Å"We still should cut your head off,† said Josh. â€Å"See,† said Tuck. â€Å"Always wrong.† â€Å"Well, if you didn’t mean you wanted him brought back to life, what did you mean?† asked Raziel. â€Å"I didn’t mean I wanted Santa to be a zombie and kill big, dumb Brian and everything. I wanted everything to be okay. Like it never happened. So it would be a good Christmas.† â€Å"That’s not what you said,† said Raziel. â€Å"That’s what I wanted,† said Joshua. â€Å"Oh,† said the angel. â€Å"Sorry.† â€Å"So he’s an angel?† Theo said to Molly. â€Å"Like a real angel?† Molly nodded, smiling. â€Å"Not a killer robot?† Molly shook her head. â€Å"He’s here to grant a Christmas wish, to one child.† â€Å"Like it never happened?† the angel asked Joshua. â€Å"Yeah!† said Josh. â€Å"Oops,† said the angel. Molly stepped over and put her hand on the angel’s shoulder. â€Å"Raziel, you fucked up. Fix it?† The angel looked at her and grinned. Perfect teeth, if a little sharp. â€Å"So be it,† he said. â€Å"Glory to God in the highest, peace on Earth, goodwill toward men.† How to cite The Stupidest Angel Chapter 21, Essay examples

Oediups the king Essay Example For Students

Oediups the king Essay To Laius, King of Thebes, an oracle foretold that the child born to him by his queen Jocasta would slay his faher and wed his mother. So when in time a son was born the infants feet were riveted together and he was left to die on Mount Cithaeron. But a shepherd found the babe and tended him, and delivered him to another shepherd who took him to his master, the King or Corinth. Polybus bein childless adopted the boy, who grew up believing that he was indeed the Kings son. Aferwards doubting his parentage he inqured of the Delhic god and heard himself the weird declared before to Laius. Wherefore he fled from what he deemed his fathers house and in his flight he encountered and unwillingly slew his father Laius. Arriving at Thebes he answered the riddle of the Sphinx and the grateful Thebans amde their deliver king. So he reigned in the room of Laius, and espused the widowed queen. Children wer born to them and Thebes prospered under his rule, but again a grievous plague fell upon the city. Again the oracle was consulted and it bade them purge themselves of blood-guiltiness. Oedipus denounces the crime of which he is unaware, and undertakes to track out the criminal. Step by step it is brought home to him that he is the man. The closing scene reveals Jacasta slain by her owm hand and Oedipus blinded by his own act and praying for death or exile. Bibliography: